Mother Nature is Bigger Than We Are is a meditation on the ethereal power of the natural environment and our place in it. I aimed to capture the beautiful juxtaposition of being both lost and found in the bush, and the eerie sense of freedom this creates.
Regardless of my gender, sex, gear or ability, I want to ride my mountain bike. Without your preconceptions of what a woman can do, without your conceptions of my biological make up in comparison to yours, I want to ride until the end of the day when I have to peel my fingers off my handlebar grips.
Grandma’s Warning (2019) by Farey is a response to the bedroom as an intimate, cherished space. Under investigation, this space reveals much about the occupant’s life, reflecting who they are. Conceived following the 100th birthday of Farey’s great-grandmother, this work represents her process of remembering and connecting with the remaining women of her maternal lineage – her, her mother, her grandmother, and her great grandmother. Each of the four women were raised differently, live in different countries, speak different languages, communicate in different ways, and hold different values.
In so-called Australia, Aboriginal and Torres Strait Islander feminists always have and continue to challenge the white-middle class mainstream feminist movement. We encourage non-Indigenous Bossy readers to step back and listen to Indigenous/Blak feminists, learn and make space.
The Women’s Climbing Initiative was started this year by a few passionate women who had noticed that there were a lot more men than women in the climbing sector of ANU Mountaineering Club.
Sugar by Faith Stellmaker critiques the experiences and social expectations of women in the contemporary moment and explores the ways in which girls present themselves. With feminism recently coming to the foreground of political and cultural debates, these images capture the unapologetic camaraderie shared between females in both the public and private space. They aim to ‘turn the tide’ against labels, stereotypes and the negative connotations that come with ageing by celebrating women and highlighting the female form.
FOLLOW | ContraPoints Is our opulent culture the gateway to a new gothic renaissance? What’s up with masculinity at the moment? Is Gigi Gorgeous’ sperm bank experience the height of comedy? How do you spot a fascist? What is gender anyway? This YouTube channel has the answers, or at least the questions, and they’re delivered […]
After spending eight years of my life watching this show, I’m left with a burning question: what was the point? Why develop these intricate, powerful female characters only to not do them justice? Female characters do not need to be perfect or satisfy our notions of who they should be; I did not fall in love with these characters for their goodness or perfection, but for their flaws, mistakes and development. These complexities are forever tarnished by the unearned and nonsensical people they were written to become. These women deserved better, and so did we.
My mouse hovered over White. Then Black. Other?
Do you identify as coming from a diverse cultural background: Yes ( ) No ( )
If you’ve caught sight of a cool gal rocking Frida Kahlo earrings or celebrating Australian wildlife on her lobes around the capital, you’ve no doubt witnessed the wonderful, wearable art of Mimir Soboslay Moore – founder, artist and brains behind Mimir Art. Armed with a passion for art, ethics, and environmentally friendly fashion, she’s truly a force to be reckoned with. We at Bossy sought to jump onto her positive wavelength with a look into the ways and workings of this local artistic wunderkind.